b/video-tuts 10 years ago by

NUK306 Production Nuke Finishing

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In this advanced level NUKE course, members explore what it takes to truly take a shot to final, from a film visual effects perspective. Professor Alex Fry, fresh off his stint as lead compositor at Animal Logic for The Great Gatsby, works through several scenes of a recent independent project and show advanced techniques for getting great composites in NUKE.
Many artists are under the impression that getting a shot to final relies merely on technical correctness and creative polish. While those are obviously two major factors, an often-overlooked influenced can be the most critical: the client. And by client that could be a paying client or -- at a facility -- the person the artist is working for: a sequence supervisor, vfx supervisor, director, or even the studio. The reality is that finalling a shot isn't really about any particular skill, but rather responding to feedback correctly and giving people up the chain what they want.

Screenshots

http://uploaded.net/file/5fczbmjh/sanet.me.Nukfinis.z01
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http://uploaded.net/file/4gz742x6/sanet.me.Nukfinis.z06
http://uploaded.net/file/s8zp5265/sanet.me.Nukfinis.zip

http://nitroflare.com/view/7342DD4C7FBBEA0/sanet.me.Nukfinis.z03
http://nitroflare.com/view/1E1FD4DF90B7ACE/sanet.me.Nukfinis.z04
http://nitroflare.com/view/3D6828E28416630/sanet.me.Nukfinis.zip
http://nitroflare.com/view/969423F65981B51/sanet.me.Nukfinis.z01
http://nitroflare.com/view/2FF31D354C6B8DF/sanet.me.Nukfinis.z02
http://nitroflare.com/view/3FE637A078D5D48/sanet.me.Nukfinis.z06